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Pencils

11/13/2010

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Here are two works in progress. This first one is only half of a larger piece for a project. I’ll post the finish when it goes live and everything. There are other parts to it as well, so more creature goodness is coming!

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This second one is for my upcoming show. It’s a selection of species from the Morae River itself. This piece has been in my head for a while now and I’m really excited to finally be able to start it.

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Just wanted to post a reminder about my book. I created a book of artwork through lulu.com. Its 40 pages of full color sketches and illustrations. I’m very proud of how it turned out and I’m hoping to make another volume next year. This volume will only be available until June next year.

It’s also on sale! I’ve marked it down 20 % until the end of December! 2011 will bring it back up to its normal price so get it now while its low at $17.60!

You can view more photos of the book HERE

You can buy the book here: http://www.lulu.com/product/paperback/fish-hooks/12917022

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Mean Kitty

08/25/2010

I’ve been posting progress of a recent piece involving BattleCat from the old cartoon, Heman lately. I’ve been asked a few times about how I go about painting something like this in photoshop, so I thought I’d put together a small step by step. I’m really not the most knowledgeable about the program, as I only began working in it about two years ago. I work in photoshop like I would on a canvas – how I was originally trained. I don’t use complicated brushes or fancy filters – only because I don’t know much about them. In any case, I hope this might help and feel free to offer insight if you know any tricks with photoshop.

- My work always starts out with a crappy sketch (above) Just to get an idea of what I want to put in the image.

battlecat 1

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- With this piece, I flipped the image and worked out the pose a bit more until I liked it.

battlecat 2

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- Then its on with the pencil drawing. I work with an irregular shaped brush on a normal setting with opacity at 100%. The brush works with the pressure sensitivity on my tablet so I can get dark and light without having to adjust anything. (the fact that I don’t know how to “talk” photoshop is showing…) I keep my sketch layer on a lower opacity than the final pencil layer so I can see my sketch while I’m drawing.

battlecat 3

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- Now its time to add in some color. I’ve set my pencil layer to multiply (for now) and I have created layers for color – one for the rocks, one for BattleCat’s fur, and one for his armor. I like to use as few layers as possible when I work but in this case I needed to be able to edit the fur and armor separately. I’m adding in some modeling but not too much – just enough to get an idea of where I want my light-source to be.

battlecat 4

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- If I were painting this traditionally I would have layed in the background first. However, with the magic of “layers” I can add in a background after I’ve painted most of BattleCat. For the background I used my “go-to” brush as well as a soft edges brush to make the clouds look softened here and there.

battlecat 5

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-I’ve added in BattleCat’s stripes as well as add in some more shadows to his fur. I’ve done this on a layer above the fur but underneath the armor so I don’t have to worry about erasing too much.

battlecat 6

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- Adding in some more shadows – this time to the armor.

battlecat 7

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- Now I’m starting to add in some darker shadows over everything I’ve painted so far. These shadows are on their own layer and are a deep purple – as opposed to the darker greens and reds I was using for the armor and fur. I’ve also added in some whiskers at this point.

battlecat 8

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- Highlights come in at this point as well as some cool reflective light to counteract the warmth in the piece. The highlights on BattleCat are a warmer, gold tone. While I’m painting all of this I will go back and forth in-between steps. I don’t paint the image completely step by step like this but this will give you an idea of how it all come together more easily.

battlecat 9

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- Now I’m adding in some “ultra highlights”. Almost stark-white to give BattleCat some pop in his darker areas. I’ve also pushed back some of his limbs and his tail using a bit of atmosphere. This helps in giving the image a bit of depth.

battlecat 10

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- Finally I’ve warmed up the piece by adding in a layer of gold tones on multiply. I set it to around 20% opacity. I’ve also added in some flecks of golds, reds and whites to the background along with some flags and things of the sort – keeping those on a lower opacity as well to keep them pushed back. At the end of the painting I’ll switch my pencil layer from “Multiply” to “Ghost”. “Ghost” is a filter by flaming pear that turns a line transparent. What I like about it is, that the line will become a darker version of whatever color is underneath it. The change is very slight, however if you scan in pencil drawings it will really come in handy. You can find that filter: Here. (It’s the download at the top titled: “Free Plugins”.

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All of the fur and texture on the saddle is created by my brush traveling back and froth on the wacom. I don’t use fur brushes or imported textures. This isn’t to say that they won’t save you lots of time and can’t look great – I just don’t know enough about them to use them confidently and I enjoy painting like I would be drawing in marker. Its just a preference for my personal work. For this image I used these brushes:

which you can download : Here. (That last brush, by the way, is my “go to” brush. I like the bristles and the slight texture it creates.

I also created a color palette to help with keeping the basic colors consistent. I don’t normally do this but it helps with something like this where color has to remain very vivid.

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Anyway, if you still have questions, you can contact me via the contact page or comment on this post. :)

Thanks for reading!

I should also add that BattleCat is © Mattel

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Battlecat

08/16/2010

battlecat

Here is a work in progress of my take on Battlecat for CGHUB’s Creature Planets current challenge.

Q.E.D.

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This was for a prior challenge for a prompt called “WarBeast”. This was as far as I got on the concept and then I had to drop it. I like the drawing though.

“While most think genetic engineering didn’t get it’s start until the early 1970′s, the science’s beginning can be traced back to World War 2 with the introduction of the Q.E.D. -Quadrupedal Explosive Device (Pronounced “Ked”) Created by The Allies, the animal was a chimera of sorts, bred to chase flairs into battle with explosives attached to their bodies. They were bred without ears to keep the animal from being startled on it’s course. Because of it’s origination in the lab, the Q.E.D. was not considered an animal, but rather a tool of war and was used until they were outlawed and destroyed after the war. With the emergence of the animal rights movement, it was in fact, found to have animal-like qualities. Some argue the Q.E.D. played a pivotal role in defeating the Nazis, however it is still considered to be one of the best examples of how horrific war can become.”

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Horns

07/26/2010

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Something new I’m working on for The Morae River – She’s the large predator that terrorizes Yabun forest. I have other things I need to be working on…

photoshop cs3

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